The Case of the Torrid Tapestry

The story involves arson in Rio de Janeiro six years prior. An art restorer framed for the crime weaves a copy of the valuable tapestry he was restoring while he's in prison, as a way to keep his sanity and get revenge when he is released. (Perry notes at some point during the episode that the prison tapestry is a copy, not a forgery.)

Della: What do you know about art?
Paul: Me? I don't even know what I like.

John Voss, an unscrupulous art dealer, is the victim. Paul is checking into the man's background and met Brenda Larkin, who worked with Voss and had designs on him.
PD: She's been with Voss for three years, as his, uh, executive assistant. Apparently she had a monaural romance going with him, all Brenda, no Voss.

PM: I'm just about to go downtown. Can I drop you somewhere?
Tragg: No, I'll go the hard way -- as usual.

Ooh, the murder weapon is found in a storm drain about a block from where the defendant lived.

HB: Then wouldn't you say the defendant never intended to auction off this tapestry at all, that he had some other purpose in mind?
PM: Objection, your honor. The witness may well be an expert on art, but he's scarcely an expert on mind reading.

Rich Texan to defendant: How'd you like to sell that tapestry of yours? I'd just love to take it back to Houston with me. Tell you what, I'll give you $10,000 for it.
Defendant: But it's only a copy.
Rich Texan: If the folks back in Houston don't recognize it, they're gonna be plenty impressed. And if they do, I'm gonna tell them the story and they're gonna be even more impressed.